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June 2011, Cover Stories, Professional/Broadcast, Features

Field Test: Canon XA10

By Steve Turner   Mon, Jun 06, 2011

Canon has come up with what it describes as its smallest professional camera ever.

Field Test: Canon XA10

Canon has come up with what it describes as its smallest professional camera ever. It’s the XA10 and we’ve had it on test and on the road for a couple of weeks. So does it live up to the hype? Like few cameras before it looks like it just might.  

Canon just managed to get the test camera to us in time to head off for two weeks camping and four wheel driving through Arkaroola and the Flinders Ranges, some 700kms north of Adelaide.

I used the XA10 for everything and gave it a serious workout. The results speak for themselves. Awesome pictures and excellent versatility.

Looking down the barrel…

Canon XA10The XA10 has a boxy kind of look to it that speaks professional - functional rather than sleek. Landcruiser rather than Porche in its looks. I love the huge front ring – can be multi functional but I’d leave it for manually focusing. The lens is brilliantly wide at 30m and goes 10x for optical and 20x using the built in teleconverter. That’s a digital jump but it works with no visible loss. My only issue here is that it’s a software switch. I’d prefer a hard button on the outside like the HV40 has but it’s a minor quibble. That's the extent of quibbling for this camera. Everything you want is there but its inside the door and software switched. For the price and what you get you cannot be complaining.

The camera fires up in a zillionth of a second and can be recording inside a second. This is the beauty of flash based cameras - super quick response times. My HV40 HDV tape camera takes 6 secs to fire up and roll so things do get missed (I still love the 40 though!). You can also have the XA10 pre-record for three seconds continuously so you’ll miss nothing. What this means is that it records three secs to a buffer and then to the memory when you hit the button. Perfect for those times you’re waiting for some action. Now you don’t have to record endlessly to get that moment (good for porn then - did I type that out loud?)

Canon XA10The LCD is huge and easily used even in bright light. The screen is crystal clear and has excellent colour reproduction. It has all the new generation of touch screen controls but most can be set and forget, which is a good thing. Simply touch the function button on the screen and up comes a page full of further options. Once you get used to it it's very easy to navigate around and get to the bits you need quickly.

On the menu...

The menu is easy to use too and the display font is clear and easy to read. The range of professional options to set is so extensive you will spend some time getting your own setup right. You can play with zebra patterns, test patterns, test tone, colour, sharpness, contrast, interlaced or progressive, scene settings, ND filters, assign buttons, zoom speeds, ring sensitivity (I've had that after a curry). Seriously it will be months before you shoot anything. Here's an idea. Leave it in auto and go out and play.

Under the bonnet...

The engine is AVCHD driven and can idle at 5Mbps getting you 24hrs on the internal 64gig tank alone (so 48 hours if you add two 32gig SD cards!). At full speed you racing along at 24Mbps giving you over 5 hours of storage time. Being a flash drive camera means you'll be exhausted long before the battery keels over.

The LCD screen displays the remaining battery life and storage time so you have a good indication of when it's time to refuel. When full the internal tank will switch to the first SD slot and when that's full it'll switch to the next. If you fail to have enough storage on this one then you're a dill!

It has a viewfinder that also marks it as professional and it’s activated by pulling it out. A minor fault here is that it doesn’t tilt up like it’s big brother, the XF300. Still you can’t have everything at this price or Canon would never sell any bigger cameras! The XA10 fits in with the XF100/105 and XF300/305 family. The internal specs for the 10 are very similar to the 100 but it records to SD instead of CF cards and is AVCHD instead of MXF. The colour is 4:2:0 where the big brothers are 4:2:2 and the limiter is set to 24Mbps where the others can blast along to 50Mbps. None of which is going to matters a rat's rear end to most users of the XA10. It's awesome functions and small size make it a winner big time. My next camera family may well shape up to be the XA10 and the XF300. Oh and a bunch of GoPros (got 2 already), but that's another story.

Screen time...

Canon XA10Playback is very cool on the screen. Good images and it’s interesting how they’ve adopted the iPhone method of going through those images. Swish across to change groups that are arranged by date order. I like the icon look but you can have a neat stacked approach too. Either way it works really well.

One of the big selling points is the handle that is removable and screw mounts onto the body. Apart from the obvious erganomic value of this it houses the full pro XLR inputs and switches for pro audio. That gets it from domestic to pro camera in one jump. It also has the typical zoom rocker switch and stop start button.  Every camera should have one!

Stability matters...

The XA10 has a truly fabulous stabiliser. It’s optical as usual but then there’s the powered addition. Hold down the button on the LCD door and it’s activated. I found I could shoot seriously zoomed in, hit the power switch, take breath and hold it steady and it’s very close to rock solid. You can nearly leave the tripod at home it’s that good. I took it flying recently and did some air to air pics that easily demonstrate the power of the XA10’s stabilisers (view them above). It did help that the Nangchang is a very stable aircraft but even so. Movement was the whole plane not the camera. Brilliant.

Canon XA10It also takes very good still frames. So good in fact that when I printed a batch out to show friends I couldn’t tell which came from the XA10 and which came from my EOS450D. Awesome! Yes the frame size is smaller but short of enlarging to poster size it doesn't matter. It's not pretending to be a DSLR. It does have a eight bladed iris that get improved depth of field. Everyone wants their fields deeper these days. Another small gripe is that the photo button is a software switch on the LCD screen. You can't take pics with the door closed and sometimes I was slow to get it to trigger. It's really cool though that you no longer have to switch from video to photo modes and vice versa.

The Jury's verdict...


I have to say I’m seriously impressed. I want one and I want one now. The good news for those on a budget is that there is a domestic version (the G10) for nearly $1000 less than the XA10 costs. The only real differences are it doesn’t have the handle, so no professional audio inputs, and has half the internal tank size. Still I’d be a great starter camera. This is a great unit and again raises the bar for small pro cameras. As an entry level camera or a spare for the seasoned shooter this is a great package. The film world just gets better and better. My score is 9/10

 

By Steve Turner

Steve Turner

I started in TV as a videotape operator for Channel Nine in 1980 and went to News editing in 1984, becoming Senior News editor for Nine Adelaide.

In 1988 moved to production editing (doing everything from sport to station promotions and programs) and then in 1989 moved to London to work for Sky News UK. This was just starting up and I helped set up the news editing operation.

The highlight of this year was covering the fall of the Berlin wall (where I location produced and edited continuously for five straight days and nights - grabbing sleep here and there). The best bit was interviewing people crossing the wall for the first time in years.

I returned to Adelaide in 1990 and freelance vision switched and also did graphics for news and production. Left again in 1991 to backpack the planet for 12 months with my partner Rochelle.

Back in 1992 and returned to production editing and graphic design for Channel Nine. I worked on all the Adelaide Formula One races (1985-1995) bar 2 (while away) doing foreign broadcast editing - packages for overseas networks in their languages.

Began Directing news in 1997 and started my own production business doing weddings and corporate work. This was followed quickly by producing science films for Flinders University and the setting up of our web business selling science related videos, CDroms, and now DVDs.

Started writing for Australian Video Camera in 2003 then Auscam when it started. Produced and shot news features for the Ten network and worked freelance on the Athen's Olympics in 2004 for Seven.

Left Channel Nine to join Channel Seven in 2005. Involved in the setup and operation of Seven's new news operation and regularly direct the six o'clock news. Directed and produced Seven's Anzac day telecasts for 2005/6 and independently produced the 13 part series "Fishing and Boating" for Channel Seven.

Produced and shot a documentary on drug abuse with an Indigenous Elders group as well as a two part docco with the RAAF. Current project include a docco on Alzheimers and another on the lives of siblings of disabled people.

I have three gorgeous small children and am a part time stay at home Dad...

...It's a busy life!!

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Comments(1):

  1. Canon XA 10 Review

    Yes, looks pretty good, but, would have to go to blu-ray to get full HD on to TV not like the HV40 where you can edit in Premiere Pro and Export to Tape. I still use the HV20 you reviewed about 4 years ago as a VTR to get Canon5D mark II out put to tape from Premiere Pro. Or is there another way to get projects to the Sony Bravia . ?

    Wednesday, June 08, 2011 Bob